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	<title>Jennifer Rainsford</title>
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	<description>Jennifer Rainsford</description>
	<pubDate>Thu, 04 Dec 2025 18:08:35 +0000</pubDate>
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		<title>news</title>
				
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		<pubDate>Thu, 04 Dec 2025 18:08:35 +0000</pubDate>

		<dc:creator>Jennifer Rainsford</dc:creator>

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	NEWS 

2026
 Art science grant to follow the work of theMáni mission&#38;nbsp;Globe Institute at the University of Copenhagen
Article about my work at Max IV:&#38;nbsp;A visceral appeal to seed the future
https://www.maxiv.lu.se/article/a-visceral-appeal-to-seed-the-future/

1mm of water shown at Dome Dreaming Stockholmhttps://domedreaming.com
&#38;nbsp;Artist in residence at MAX IV synchothron facility in Lund.&#38;nbsp;
https://www.lunduniversity.lu.se/article/artist-takes-residency-max-iv
2025&#38;nbsp;
ALL OF OUR HEARTBEATS ARE CONNECTED THROUGH EXPLODING STARS screening and masterclass at 24fps Parma&#38;nbsp;

2024ALL OF OUR HEARTBEATS ARE CONNECTED THROUGH EXPLODING STARS wins first prize at &#38;nbsp;London animal film festival.
2023
HEART OF AN ASTRONAUT

Screening at Sven Harry’s konstmuseum Stockholm with lecture by Svenska Rymdsällskapet and talk afterwards. 

Heart of an Astronaut won from the festival Shorts shorts in Tokyo best short documentary and therefore Oscar qualifying!
Screening at cinemas in Stockholm and Folkets bio and on christmas eve at six on Swedish television21 december 2023 Norrköping, Hägersten, Göteborg, Östersund, Malmö, Umeå, Åstorp, Lund, Boden, Mörbylånga, Iggesund, Alvesta, Västerås, Arvidsjaur
December 12th 2023Heart of an astronaut will be screened as part of an event in reaktorhallen at KTH , panel discussion afterwards with me, Sweden's first astronaut, the European astronauts' doctor, space medicine researchers &#38;amp; Costanza Julia Bani will moderate. 

"Welcome to an event, held at the KTH Reactor Hall, where art meets science!It is organized by KTH NAVET Centre, KTH Space Center as well as the producer and director of the film “Heart of an Astronaut” which will be the centerpiece.The general theme is Body In Space which will concretize how it feels to float around in space by various visual and sensorial experiences, such as sonification of space data and image projections, including Christer Fuglesang sharing his journey to space.

The event will start with a screening of the film, which is a short documentary inviting you on the journey of an astronaut’s heart from Earth to Space. Its beats, its perils and its strength told by the astronaut’s doctor, the flight surgeon Brigitte Godard. It is a romantic trip of the cardiovascular system into space. The screening will be followed by presentations, Q/A and mingle with invited speakers!Time: December 12, 8.30-11Place: KTH Reactor hall, Drottning Kristinas väg 51, 114 28 Stockholm. Please register here to the event: 
https://www.kth.se/form/body-in-space Agenda:08:30 opening doors of reactor hall and mingle 09:00 Welcoming to the event by Leif Handberg, manager of the reactor hall, and Roberto Bresin, director of NAVET09:10 Screening of Heart of an Astronaut09:30 Panel discussion with guests:JENNIFER RAINSFORD, director of Heart of an AstronautCOSTANZA JULIA BANI, moderator / producer of Heart of an Astronaut and Ass Prof in Film and Media Production at SKH Stockholm Universtiy of the ArtsCHRISTER FUGLESANG, Astronaut and Director of the KTH Space CenterBRIGITTE GODARD, flight surgeon DAG LINNARSSON, Professor Emeritus of Baromedicine at Karolinska Institutet HANS BERG, Researcher in Orthopedics, muscle physiology at Karolinska Institutet and KTH 10:00 Q and A10:15 Gym in Space and coffee break10:30 Presentation by ANITA ZANELLA, Researcher at INAF National Institute of Astrophysics, Padova, Italy (15 min about The Audible Universe) 10:45 -11:00 Open discussion "
2022 Work and Project Grant from the Swedish Arts Grants Committee, Winner of ESA (European Space Agency) "Small World Film Competition," Best Pitch CPH DOX, selected for Forum des Images, Paris



2022 ALL OF OUR HEARTBEATS ARE CONNECTED THROUGH EXPLODING STARS 
Cinema distribution 2022 through Folkets bio Scerening online
https://www.truestory.film
https://triart.se/play/all-of-our-heartbeats-are-connected-through-explod
https://www.sfanytime.com/sv/movie/all-of-our-heartbeats-are-connected-through-exploding-stars

FestivalsVision du Reel International Feature Film Competition,&#38;nbsp; Switzerland 2022Hot Docs, Canada 2022Criterion Bioskop, Netherlands 2022Pesaro Film Festival, Italy 2022MDOC – Melgaço International Documentary Film Festival, Portugal 2022Documental Ambulante, Mexico 2022Underhill International Film Festival, Montenegro 2022European Film Festival Palić, Serbia 2022DMZ International Documentary Film Festival, Korea 2022Another Way Film Festival, Spain 2022Camden International Film Festival, Camden 2022Mirage Film Festival, Norway 2022Arktisen Upeeta, Finland 2022Buffalo International Film Festival, Buffalo 2022Kasseler Dokfest, Germany 2022WATCH Docs International Film Festival, Poland 2022DocPoint Helsinki, Finland 2023Visions of Nature/Voices of Nature Environmental Film Festival, Florida 2023The Environmental Film Festival in the Nation’s Capital (DCEFF), Washington 2023Music &#38;amp; Cinema International Festival Marseille, France 2023DocPoint Tallinn, Estonia 2023International Wildlife Festival, Missoula 2023FICCI Cartagena, Colombia 2023Docudays, Ukraine, 2023Docs Irland, 2023Ethnocineca, Venice, Italy, 2023Hot Springs Documentary Film Festival, 20232nd Pianeta Mare Film Festival, Italy, 2023
ReviewsThe GUARDIAN

Screen Daily

POV Magazine

Business Doc Europe

Nöjesguiden (In Swedish)

Awards and nominationsWinner, Guldbagge, Best Sound Design, 2023Winner,&#38;nbsp; International Documentary Award, Ethnocineca, 2023Winner, Best New Vision, International Wildlife Film Festival, 2023Winner, Audience Award, Pesaro Film Festival, 2022Special Mention, Green Competition, WATCH DOCS Film Festival, 2022Nominated, Best Documentary, Vision du Reel, 2022Nominated, Best Editing, Mirage Film Festival, 2022Nominated, Best Sound Design, Mirage Film Festival, 20222021 CPH DOX LAB with cross media project Deep truth
2020Shruti Chamaria is recruited as distributor and gets the book LAKE ON FIRE distributed through Printed Matter in NY. 
Shida Shahabi's wonderful soundtrack to my shortflm LAKE ON FIRE will be released on the label 130701You can pre-order and check it out here
130701 
Bandcamp 
The book LAKE ON FIRE will be available at Yvon Lambert bookshop in Paris
The film LAKE ON FIRE will be screened online at different festivals in October
9-11 October 
Bionalen Kristianstads filmfestival
7- 31 OctoberIn the Montreal Festival du nouveau cinéma
COURTS MÉTRAGES COMPÉTITION INTERNATIONALE 5

19-25 OctoberAt Uppsala short film festival
In the National Competition 

Book LAKE ON FIRE receive a special mention at Encontros da Imagem book festival  to be exhibited in the Spring 2021

Nottingham arts Mela is screening at our film in the program, Film Night I: Sites of RuptureThu, 30 Jul 20208:00 pm Sat, 1 Aug 20208:00 pm
Residency at Cite International des Arts Paris  Through the Royal Academy of Art March-October 2020
STORIES FROM THE DEBRIS is part of the 
Meetmarket  ar Sheffield Doc fest
The film Lake on Fire in Swedish competition Startsladden at GIFF February 2020
STORIES FROM THE DEBRIS is part of the Chicken and Egg Pictures Eggcelerator Lab




	
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		<title>NEWS</title>
				
		<link>https://raij.cargo.site/NEWS</link>

		<pubDate>Thu, 08 Oct 2020 19:30:12 +0000</pubDate>

		<dc:creator>Jennifer Rainsford</dc:creator>

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		<title>portfolio</title>
				
		<link>https://raij.cargo.site/portfolio</link>

		<pubDate>Thu, 16 Jan 2020 09:27:26 +0000</pubDate>

		<dc:creator>Jennifer Rainsford</dc:creator>

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	ALL OF OUR HEARTBEATS ARE CONNECTED THROUGH EXPLODING STARS
&#60;img width="800" height="1200" width_o="800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/d14bca1ca2fbf5a1b71498dfb81dd9fb8d41fc62c97fd3b24e7625de90215d1a/stars-a3-2-800x1200.jpeg" data-mid="199662743" border="0"  src="https://freight.cargo.site/w/800/i/d14bca1ca2fbf5a1b71498dfb81dd9fb8d41fc62c97fd3b24e7625de90215d1a/stars-a3-2-800x1200.jpeg" /&#62;

With the 2011 Tsunami as a backdrop, ALL OF OUR HEARTBEATS ARE CONNECTED THROUGH EXPLODING STARS is a staggering odyssey told as an essay on grief, and on how humans and nature rebuild after trauma. It moves from the shores of Japan where Sachiko, Yasu and Satoko try to find ways to accept their loss; via rarely seen places thousands of meters below the sea level where new life-forms thrive; to one of the Hawaiian islands where a group of volunteers gather to clean a beach from Japanese tsunami debris floating in from the Ocean.


Trailer


Stills
&#60;img width="800" height="450" src="http://media.momentofilm.se/2014/10/vulkan_orginalhp-800x450.jpg" style="width: 132.907px; height: 74.7602px;"&#62;&#60;img width="800" height="449" src="http://media.momentofilm.se/2017/06/Debris_still_aquarium-e1614952909976-800x449.png" style="width: 132.907px; height: 74.5941px;"&#62;&#60;img width="800" height="450" src="http://media.momentofilm.se/2017/06/STILL_debris2-e1614952844462-800x450.jpg" style="width: 132.907px; height: 74.7602px;"&#62;&#60;img width="800" height="450" src="http://media.momentofilm.se/2017/06/yasu_stills2-800x450.jpg" style="width: 132.907px; height: 74.7602px;"&#62;
DirectorJennifer RainsfordProducer&#38;nbsp;Michael Krotkiewski,&#38;nbsp;Mirjam Gelhor,&#38;nbsp;David HerdiesDirector of Photograph Karolina Pajak, Iga Mikler, Wojtek Sulezycki,Editor Camille Cotte, Amalie Westerlin TjellesenComposer Teho TeardoSound Designer&#38;nbsp;Ted KrotkiewskiRe-recording Mixer&#38;nbsp;Robert HefterColorist&#38;nbsp;Michael CavanaghVFX&#38;nbsp;Nils FridénGenre&#38;nbsp;DocumentaryIn co-production with&#38;nbsp;Film in Skåne, WHAPIn association with&#38;nbsp;Chicken and Egg Pictures, Point Du Jour – Les Films Du BalibariWith Support From&#38;nbsp;The Swedish Film Institute, The Swedish Arts Grants Committee, Film Stockholm, Kulturbryggan, Helge Ax:son Johson Foundation, Sweden Japan Foundation, The Scandinavia – Japan Sasakawa foundation, Women Make Movies Production Assistance ProgramDeveloped with the support ofThe Creative Europe Programme – Media of The European Union

Format77 min – HD, Color

&#60;img width="1169" height="1976" width_o="1169" height_o="1976" data-src="https://freight.cargo.site/t/original/i/b76ea16660b9529645c013ac621a89cdb2a2425690153b1ab5f51ea8f9434ffa/bild.jpg" data-mid="199686290" border="0"  src="https://freight.cargo.site/w/1000/i/b76ea16660b9529645c013ac621a89cdb2a2425690153b1ab5f51ea8f9434ffa/bild.jpg" /&#62;
&#60;img width="1304" height="1536" width_o="1304" height_o="1536" data-src="https://freight.cargo.site/t/original/i/927c75b90d25306d67102fe8c65a8a8b68ae4393536447bae7eab13c5c461308/Skarmavbild-2023-12-18-kl.-20.45.23.png" data-mid="199686293" border="0"  src="https://freight.cargo.site/w/1000/i/927c75b90d25306d67102fe8c65a8a8b68ae4393536447bae7eab13c5c461308/Skarmavbild-2023-12-18-kl.-20.45.23.png" /&#62;
LIFE IN A DROP OF WATER
360 VIDEOS VR
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LAKE ON FIRE&#60;img width="827" height="1181" width_o="827" height_o="1181" data-src="https://freight.cargo.site/t/original/i/d3b898a01221677288dac8fadbf2904ea1c01c28f2be7b8109b566dc54fedee8/POSTER-70X100.jpg" data-mid="101262602" border="0"  src="https://freight.cargo.site/w/827/i/d3b898a01221677288dac8fadbf2904ea1c01c28f2be7b8109b566dc54fedee8/POSTER-70X100.jpg" /&#62;
Sjö i brand
Lake on fire is a short sci film telling the story from a distant future of how two former lovers are reunited in a virtual forest created by an artificial intelligence. Flowers are talking, the forest is shifting colors while fighting virtual wars and the former couple realise they can't change the past. 
A subtle science fiction short film about regret and an A.I. only interested in humans for giving love advice.
Short film 14.30 minLanguage Swedish, English, Kannada
Screening at Göteborg film festival competition startsladden 2020
&#60;img width="1964" height="934" width_o="1964" height_o="934" data-src="https://freight.cargo.site/t/original/i/d8fb95c8ec2210d9fa6acd7d0585e13cc5f8619adfcfc18cfeced4c206177cd2/Skarmavbild-2020-01-16-kl.-09.58.32.png" data-mid="101262604" border="0"  src="https://freight.cargo.site/w/1000/i/d8fb95c8ec2210d9fa6acd7d0585e13cc5f8619adfcfc18cfeced4c206177cd2/Skarmavbild-2020-01-16-kl.-09.58.32.png" /&#62;
A film by Jennifer Rainsford
With Dayasindhu Sakrepatna and Jennifer Rainsford

Original music Shida Shahabi

Sound design Robert Hefter 

Mixstudio Basis Berlin Postproduktion

Grading and effects Nils Fridén Velourfilm

Script, direction, camera, editing and production Jennifer Rainsford

Financial support by the Swedish Film Institute, film commissioner Ami Ekström

Production Assistants Ashok Vish, Vinay Ghodgeri, Sami Johnson

Thanks to Konstnärsnämnden IASPIS, 1Shantiroad Bangalore: Suresh Jayaram, Sandeep TK, Ashok Vish, Ramalingam V.K, Magnus Andersson Business Sweden Bangalore, Swamp Storytelling Art Lab Gnesta, Earth Colab, Swedish institute Couroupita Guianensis, Odonata, Cubbon Park, Gavin Maycroft
Shot in November 2018

Poster design Shruti Chamaria &#60;img width="1762" height="908" width_o="1762" height_o="908" data-src="https://freight.cargo.site/t/original/i/fbc3dcfe7c6ad67607a7c573d073d5ede189a48531395b1c27896fe6a7cda56d/Skarmavbild-2020-01-16-kl.-09.59.29.png" data-mid="101262606" border="0"  src="https://freight.cargo.site/w/1000/i/fbc3dcfe7c6ad67607a7c573d073d5ede189a48531395b1c27896fe6a7cda56d/Skarmavbild-2020-01-16-kl.-09.59.29.png" /&#62;&#60;img width="1080" height="1478" width_o="1080" height_o="1478" data-src="https://freight.cargo.site/t/original/i/76d3eaa393c7ef78d6c958208447148d115ef3cb1c069b0e049fb00c9b4f4d2a/4b_nara_side07_07_00_02.Still001.jpg" data-mid="101262603" border="0"  src="https://freight.cargo.site/w/1000/i/76d3eaa393c7ef78d6c958208447148d115ef3cb1c069b0e049fb00c9b4f4d2a/4b_nara_side07_07_00_02.Still001.jpg" /&#62;


WHEN I DIE THE WORLD ENDS&#60;img width="1890" height="2646" width_o="1890" height_o="2646" data-src="https://freight.cargo.site/t/original/i/3860ea7212c760356206dffb8dc9ef56de5064a2cc4066bb138cf4b9e1fda3cf/poster_festivals_10.jpg" data-mid="199655296" border="0"  src="https://freight.cargo.site/w/1000/i/3860ea7212c760356206dffb8dc9ef56de5064a2cc4066bb138cf4b9e1fda3cf/poster_festivals_10.jpg" /&#62;

A couple are on the way to their boat. There is a silence between them. While out at sea they hear a heavy sound. Perhaps an earthquake. Under an incredibly beautiful sky the painful silence ruptures.

- Clarice Goulart GIFF catalogue

&#60;img width="2348" height="1368" width_o="2348" height_o="1368" data-src="https://freight.cargo.site/t/original/i/ca40861a0dac1c1dd981e1a1b0e036774ed19d5192444f9013565352a1688c7d/widtwe_credits_karolina_pajak5.jpg" data-mid="199655297" border="0"  src="https://freight.cargo.site/w/1000/i/ca40861a0dac1c1dd981e1a1b0e036774ed19d5192444f9013565352a1688c7d/widtwe_credits_karolina_pajak5.jpg" /&#62;&#60;img width="2680" height="1506" width_o="2680" height_o="1506" data-src="https://freight.cargo.site/t/original/i/f674be282c86924fa2a5b7f167ee583b6022cee756454d512cae064e78fee62e/Screen-Shot-2018-01-23-at-14.04.38.png" data-mid="199655294" border="0"  src="https://freight.cargo.site/w/1000/i/f674be282c86924fa2a5b7f167ee583b6022cee756454d512cae064e78fee62e/Screen-Shot-2018-01-23-at-14.04.38.png" /&#62;&#60;img width="1882" height="1208" width_o="1882" height_o="1208" data-src="https://freight.cargo.site/t/original/i/e0fdeff2c346de4ed5e74677c447fd3f5c28ba8b8db1d2425bc0e9f9d59427f0/Screen-Shot-2018-01-23-at-13.15.09.png" data-mid="199655299" border="0"  src="https://freight.cargo.site/w/1000/i/e0fdeff2c346de4ed5e74677c447fd3f5c28ba8b8db1d2425bc0e9f9d59427f0/Screen-Shot-2018-01-23-at-13.15.09.png" /&#62;&#60;img width="2424" height="1382" width_o="2424" height_o="1382" data-src="https://freight.cargo.site/t/original/i/eb90922ff91f764dab4ca14a4c0bbaf8be5ffeca84483dcb5cb49d7d58bbd567/widtwe_credits_karolina_pajak6.jpg" data-mid="199655298" border="0"  src="https://freight.cargo.site/w/1000/i/eb90922ff91f764dab4ca14a4c0bbaf8be5ffeca84483dcb5cb49d7d58bbd567/widtwe_credits_karolina_pajak6.jpg" /&#62;&#60;img width="2454" height="1370" width_o="2454" height_o="1370" data-src="https://freight.cargo.site/t/original/i/aa4504bf95ba1d0e45f2cdbe307e0cabdac15f6047f2ce7ca6e00b5843b7d017/widtwe_credits_karolina_pajak7.jpg" data-mid="199655295" border="0"  src="https://freight.cargo.site/w/1000/i/aa4504bf95ba1d0e45f2cdbe307e0cabdac15f6047f2ce7ca6e00b5843b7d017/widtwe_credits_karolina_pajak7.jpg" /&#62;

CAST Anna-Helen Cristina Flutur Dvan Aris Servetalis
CREWDirector &#38;amp; Script Jennifer RainsfordCinematographer Karolina PajakEditor Antonella Sarubbi
Producer Jennifer RainsfordAssociate producer Stefanos Tsivopoulos
VFX and Grade Nils Friden / VelourfilmLjuddesign och Mix Robert Hefter / Studio 24
First assitant director Elena DimitrakopoulouFirst assistant cinematographer Sofia Larsson
Line producer Greece Stefanos TsivopoulosElectrician Gregory MoschosFirst assistant electrician Christos MoschosGrip Kostas MeridasSound Yorgos PotagasFirst assistant sound Yorgos Bibikos
Makeup Kyriaki MelidouCostume Vassilia RozanaCostume wants to thankVassiliki PanayotopoulosPanayotis BitziosAntonis PolychroniouAlexa HanjisTartaras Optical Shop
Best boy Dionisis Kavalleriatos
Boat service Ikarian Cruises Skipper Alexandros Mavronditis Van service Angeliki Anagnostopoulou
Financial support by the Swedish Film Institute, film commissioner Andreas Fock Controller Lina Norberg Johansson 
Exekutiv Producent Jennifer RainsfordEquipment Ljud och Bildmedia, Stockholm, ARCTOS, Athens
Tack!Daniel Thisell, Georg Giorgi Das Talent Agency, Michael Krotkiewski, Costanza Julia Bani, Vicky Miha, Anna-Maria Kantarius, Fabian Altenried, Karin Bulow-Orrje, Rut Karin Zettergren, Ann Oren, Iara Rodriguez Vilardebó, Gabrielle Brady, Gianni Collot, Paul Fägerskiöld, Yashar Alishenas, Kristina Sonmark, Farvash Razavi, BNF Paris, Circolo Scandinavico, Nisi Masa, Kerstin Andersson, Ove Andersson, Anna Andersson, Emily Rainsford
FESTIVALSSWEDISH PREMIERE AT GIFF 2018GREEK PREMIERE IN COMPETITION AT: DRAMA INTERNATIONAL FILM FESTIVAL 2018ATHENS AVANTGARDE FILM FESTIVAL 2018IN COMPETITION AT: DESERT EDGE FLM FESTIVAL 2018

FIDDLER CRABS360 video
&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/8f1063faabe87f8160e7320d4d6230c151829b481c11df8782c6ecd53c16aef4/crabs_o.jpg" data-mid="199656816" border="0"  src="https://freight.cargo.site/w/1000/i/8f1063faabe87f8160e7320d4d6230c151829b481c11df8782c6ecd53c16aef4/crabs_o.jpg" /&#62;Male fiddler crabs wave their big left claw to defend their territory. As the tide comes in from the Ocean they cover their holes with sand. A small air pocket underneath the ground, covers their need for air. Until the Ocean withdraws from the beach, they come out of their holes, shifting sand through their mouths. 
360 degree video
Project springing from Swamp Storytelling, in collaboration with Earth Colab and Artlab Gnesta. Thanks to Umeed Mistry and Tasneem Khan.
Supported by the Swedish Insitiute


TRIALS IN A SYSTEM OF CONNECTIONSPerformance installation
&#60;img width="1364" height="767" width_o="1364" height_o="767" data-src="https://freight.cargo.site/t/original/i/764d229b98552b480249e2fb34c5a6edf6b106c3d3bddc633655e35434e7f8d2/TRIALS_paradiso_still2.jpg" data-mid="199667189" border="0"  src="https://freight.cargo.site/w/1000/i/764d229b98552b480249e2fb34c5a6edf6b106c3d3bddc633655e35434e7f8d2/TRIALS_paradiso_still2.jpg" /&#62;&#60;img width="2052" height="1205" width_o="2052" height_o="1205" data-src="https://freight.cargo.site/t/original/i/8cf60ab74a7576485db8a492b4ccc2f292a81c8e1cfab5bea05453d3a98ceb45/trials_hanging_highres.jpg" data-mid="199667188" border="0"  src="https://freight.cargo.site/w/1000/i/8cf60ab74a7576485db8a492b4ccc2f292a81c8e1cfab5bea05453d3a98ceb45/trials_hanging_highres.jpg" /&#62;
In the performance a system of ropes and blocks holds one to four persons hanging above ground. They are attached to each other in six points: one on each side of the hips and by their hands and feet. 
Held by each other's weight they move in a system of equilibrium, floating above ground, where one person's movement directly affects the other's.
Made with the support of Cirkus Cirkör and rigger Anders Freudendahl. Performed at the Royal Academy of fine arts and Turteatern.

	HEART OF AN ASTRONAUT
&#60;img width="1984" height="2835" width_o="1984" height_o="2835" data-src="https://freight.cargo.site/t/original/i/b56f6bba5d4d915f50418dea00b98841ec3657c5fa32e53afd0797e87c07a37e/Heart-of-an-Astronaut231107_s.png" data-mid="199662648" border="0"  src="https://freight.cargo.site/w/1000/i/b56f6bba5d4d915f50418dea00b98841ec3657c5fa32e53afd0797e87c07a37e/Heart-of-an-Astronaut231107_s.png" /&#62;
Brigitte Godard dreamed of becoming an astronaut. Today she is a doctor and monitors the astronauts’ bodily functions while they are in space. Against fascinating images from life onboard the International Space Station, philosophical and biological questions are posed in relation to space, humanity, and the heart.- Tobias Åkesson

Trailer


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/dca5994ad6e19c77485452f08ffb6ed7389edc26b26f45d0ae7da8d157031842/HOAA_birgitte1-credit_still-from-Heart-of-an-astronaut-by-Jennifer-Rainsford-FASAD-produktion-DOP-Karolina-Pajak.jpg" data-mid="199662803" border="0"  src="https://freight.cargo.site/w/1000/i/dca5994ad6e19c77485452f08ffb6ed7389edc26b26f45d0ae7da8d157031842/HOAA_birgitte1-credit_still-from-Heart-of-an-astronaut-by-Jennifer-Rainsford-FASAD-produktion-DOP-Karolina-Pajak.jpg" /&#62;&#60;img width="1440" height="810" width_o="1440" height_o="810" data-src="https://freight.cargo.site/t/original/i/5daffd313c1fe9cd70e46c22065cc5d0c37ddbdb08db26c7a414e0f69dd67084/gbg.jpeg" data-mid="199662791" border="0"  src="https://freight.cargo.site/w/1000/i/5daffd313c1fe9cd70e46c22065cc5d0c37ddbdb08db26c7a414e0f69dd67084/gbg.jpeg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/083d59bd7c5ca1ec863babb49d6744f200dd509f4e3346474c2cc257d7fc5683/HOAA_matthias_credit_esa.jpg" data-mid="199662807" border="0"  src="https://freight.cargo.site/w/1000/i/083d59bd7c5ca1ec863babb49d6744f200dd509f4e3346474c2cc257d7fc5683/HOAA_matthias_credit_esa.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ce7f05deebe2c742e5161af0ea05f98ab52a1b913eeecc2193d1077f4e83f266/HOAA-earth-credit_esa.jpg" data-mid="199662801" border="0"  src="https://freight.cargo.site/w/1000/i/ce7f05deebe2c742e5161af0ea05f98ab52a1b913eeecc2193d1077f4e83f266/HOAA-earth-credit_esa.jpg" /&#62;&#60;img width="1948" height="877" width_o="1948" height_o="877" data-src="https://freight.cargo.site/t/original/i/c9866e4ef871896922d844112f859c22817a35a053e8b347fd93c077ae99a259/HOAA_birgitte3_credit_still-from-Heart-of-an-astronaut-by-Jennifer-Rainsford-FASAD-produktion-DOP-Karolina-Pajak.jpg" data-mid="199662805" border="0"  src="https://freight.cargo.site/w/1000/i/c9866e4ef871896922d844112f859c22817a35a053e8b347fd93c077ae99a259/HOAA_birgitte3_credit_still-from-Heart-of-an-astronaut-by-Jennifer-Rainsford-FASAD-produktion-DOP-Karolina-Pajak.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/92b70b8cf325f364ac5797a3a69bff8bf48a3fe3f415cc6f581cd3dce08b2ba7/HOAA_samantha_credit_esa.jpg" data-mid="199662819" border="0"  src="https://freight.cargo.site/w/1000/i/92b70b8cf325f364ac5797a3a69bff8bf48a3fe3f415cc6f581cd3dce08b2ba7/HOAA_samantha_credit_esa.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/fdd7a4adb142ed7a7d82d2abfa34c25788b3e74ce6607d1b243c63ec67717cb9/HOAA_earth_credit_esa.jpg" data-mid="199662806" border="0"  src="https://freight.cargo.site/w/1000/i/fdd7a4adb142ed7a7d82d2abfa34c25788b3e74ce6607d1b243c63ec67717cb9/HOAA_earth_credit_esa.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b5c3426b1de257261bec00c45196684b864abce5848c1664463a32c4033eb96b/HOAA_birgitte2-credit_still-from-Heart-of-an-astronaut-by-Jennifer-Rainsford-FASAD-produktion-DOP-Karolina-Pajak-.jpg" data-mid="199662804" border="0"  src="https://freight.cargo.site/w/1000/i/b5c3426b1de257261bec00c45196684b864abce5848c1664463a32c4033eb96b/HOAA_birgitte2-credit_still-from-Heart-of-an-astronaut-by-Jennifer-Rainsford-FASAD-produktion-DOP-Karolina-Pajak-.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/45aad4cd4f7cd76704a2bcf6263e4229275a67ce9cbef6da38c06a2ab9d4e18c/HOAA_matthias2credit_esa.jpg" data-mid="199662808" border="0"  src="https://freight.cargo.site/w/1000/i/45aad4cd4f7cd76704a2bcf6263e4229275a67ce9cbef6da38c06a2ab9d4e18c/HOAA_matthias2credit_esa.jpg" /&#62;&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/5d80e3325565ee61da1846a98cc8fdf60e2213a92bfef26edad6e2f17afedd97/HOAA_moon_credit_brigitte_godard.jpg" data-mid="199662809" border="0"  src="https://freight.cargo.site/w/1000/i/5d80e3325565ee61da1846a98cc8fdf60e2213a92bfef26edad6e2f17afedd97/HOAA_moon_credit_brigitte_godard.jpg" /&#62;

FIRE ON LAKE&#60;img width="752" height="682" width_o="752" height_o="682" data-src="https://freight.cargo.site/t/original/i/3a0d1c4a8af702023b39e6afb521de18b75ab9481f3e035d5ad59c36548e32ed/Skarmavbild-2020-08-06-kl.-00.33.10.png" data-mid="199655096" border="0"  src="https://freight.cargo.site/w/752/i/3a0d1c4a8af702023b39e6afb521de18b75ab9481f3e035d5ad59c36548e32ed/Skarmavbild-2020-08-06-kl.-00.33.10.png" /&#62;The book tells a multiscale narrative departing from&#38;nbsp;the fires on Bellandur lake in Bangalore (IN) between theyears 2015-19. 
The book relates how plants grow aroundthe lake to Bangalore being India’s outsourcing and IT hub,the breaking of phosphor in the Sahara desert, to booleanalgebra, and the Nobel prize in economics. 
It includes a collection of stories, poems, maps, illustrations and macro-photographs.
&#60;img width="1576" height="1170" width_o="1576" height_o="1170" data-src="https://freight.cargo.site/t/original/i/e021cf530a9fad28d9b26c183bd7e3d15c543690787276190aa9404988158778/Skarmavbild-2020-08-06-kl.-00.32.59.png" data-mid="199655097" border="0"  src="https://freight.cargo.site/w/1000/i/e021cf530a9fad28d9b26c183bd7e3d15c543690787276190aa9404988158778/Skarmavbild-2020-08-06-kl.-00.32.59.png" /&#62;&#60;img width="1538" height="1128" width_o="1538" height_o="1128" data-src="https://freight.cargo.site/t/original/i/47672c2800ff4726639338ac7536e2549fc0e125c8286ad0db86e7262de0445c/Skarmavbild-2020-08-06-kl.-00.33.04.png" data-mid="199655098" border="0"  src="https://freight.cargo.site/w/1000/i/47672c2800ff4726639338ac7536e2549fc0e125c8286ad0db86e7262de0445c/Skarmavbild-2020-08-06-kl.-00.33.04.png" /&#62;Content and research: Jennifer RainsfordDesign, production and distribution: Shruti ChamariaProduction specifications: digital print, 17 x 23.5 cm, 80 pages,stitched binding, screen printed book jacket (cover)Language: English, KannadaPublication launch: 2020Limited edition: 45 copiesThe book is a self-initiated publication, financially supportedby Konstnärsnämnden IASPIS (SE) and Längmanskakulturfonden (SE)



BIRDS IN SPACE&#60;img width="1056" height="1508" width_o="1056" height_o="1508" data-src="https://freight.cargo.site/t/original/i/e50f63722f37ebaca57151ae00ffcefd1aaa4bcd1bb59f23bdcef4a7fee22f5c/Screen-Shot-2018-02-22-at-13.21.55.png" data-mid="199655181" border="0"  src="https://freight.cargo.site/w/1000/i/e50f63722f37ebaca57151ae00ffcefd1aaa4bcd1bb59f23bdcef4a7fee22f5c/Screen-Shot-2018-02-22-at-13.21.55.png" /&#62;

Earth’s ecosystems have collapsed and people have begun colonizing space. On Jupiter’s moon Ganymede, a man and his son await the arrival of the father’s sister. In an existential drama, the memory of Earth fades, but unexpected fragments of its heritage live on.
Direction and Script 
Jennifer Rainsford and Lena BergendahlShort film 29 min

 &#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/0aaf702ced827be10ec2db27c5f6af3477cb9f93425844b8d351d66245292217/Untitled_2.5.1.jpg" data-mid="199655182" border="0"  src="https://freight.cargo.site/w/1000/i/0aaf702ced827be10ec2db27c5f6af3477cb9f93425844b8d351d66245292217/Untitled_2.5.1.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4a3606865cbe5dc84ce1700f7084d524393a04c9189453bcef24bac85500dd89/Untitled_1.78.1-1.jpg" data-mid="199655176" border="0"  src="https://freight.cargo.site/w/1000/i/4a3606865cbe5dc84ce1700f7084d524393a04c9189453bcef24bac85500dd89/Untitled_1.78.1-1.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b1017e8cd94c7af8747f9b77dfb5652926034a39f085ee64c6afbe21892dcda6/Untitled_1.165.1.jpg" data-mid="199655180" border="0"  src="https://freight.cargo.site/w/1000/i/b1017e8cd94c7af8747f9b77dfb5652926034a39f085ee64c6afbe21892dcda6/Untitled_1.165.1.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9085bc3d18ae1523ad5b5c1e78c984ba779d7977063b65ad86d35fa814460eb4/Untitled_2.8.1.jpg" data-mid="199655175" border="0"  src="https://freight.cargo.site/w/1000/i/9085bc3d18ae1523ad5b5c1e78c984ba779d7977063b65ad86d35fa814460eb4/Untitled_2.8.1.jpg" /&#62;&#60;img width="3388" height="2172" width_o="3388" height_o="2172" data-src="https://freight.cargo.site/t/original/i/a4059c190618e0948fc0d79dc545abbde1242ab1e39ba5c76b9086130b97de5f/TARIQ_message.jpg" data-mid="199655177" border="0"  src="https://freight.cargo.site/w/1000/i/a4059c190618e0948fc0d79dc545abbde1242ab1e39ba5c76b9086130b97de5f/TARIQ_message.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/80599eb3cb9b116c31e3458b56428c7fdab7e0450b42c1569dc401a552822cfe/Untitled_1.88.1.jpg" data-mid="199655179" border="0"  src="https://freight.cargo.site/w/1000/i/80599eb3cb9b116c31e3458b56428c7fdab7e0450b42c1569dc401a552822cfe/Untitled_1.88.1.jpg" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2734e9488413dcef510610f772f8bf158cec6ef753828ab29458e8d847d2c268/Untitled_2.16.1.jpg" data-mid="199655178" border="0"  src="https://freight.cargo.site/w/1000/i/2734e9488413dcef510610f772f8bf158cec6ef753828ab29458e8d847d2c268/Untitled_2.16.1.jpg" /&#62;
WithAmir Hussein JafariMohammad Aref JafariNasrin PakkhoYuriy GolubyatnikovAnni WangMay Le
Producer Anna-Maria Kantarius

Garagefilm
Svensk filmdatabas
Executive producer Mimmi Spång &#38;amp; Rebecka LafrenzAssistant producer Frida MårtenssonProduction coordinator Garagefilm Rachel Bodros Wolgers, Signe Höeg
DOP Lena Bergendahl &#38;amp; Jennifer RainsfordAssistant Camera Martin Gärdemalm, Adam Lunneborg, Jonas ErnhillSound Linda Iro Näsström, Jess WolfsbergProject coordinator Emma Björnwall, Sarah OlssonTranslator Faryana AsghariCoordinator, assistant and translator Kimiya FaghihProduction assistants Sarah Olsson, Amanda Svedberg, Agnes FredRunner Sadik SalemEditor Andreas NilssonAssistant editor klipp Lena Bergendahl och Jennifer RainsfordPostproduction bild LillasysterPostproducer Mattias ValencaGrade/ Online Nanna DalundeVFX/ Comp Mikael Hall Editor assistantSara ThisnerSound design and mix Jess WolfsbergTranslation Vietnamese Tan Le Soundstudio LjudbangGraphic form La BocaMoving Sweden Filmkonsulent Helen AhlssonController Lina Norberg JohanssonAdministration Boel JonssonProject SVT Peter ZellFilm Stockholm/ FilmbasenChef Joakim BlendulfKonsulent Rosario Fernandez TengdahlController Hend AroalFilm i Västerbotten Filmkonsulent Lill CasslindMusic by: Teho Teardo, Moljebka Pvlse/Mathias Josefson, Meshuggah
Location Hällestads svamp, Mathias Persson, Västerbacken Hotell &#38;amp; Konferens, Åsa LindgrenSCA Obbola, Mikael Holmlund Umeå Flygklubb, Mats Johansson
Thank youIga Mikler, Marcus Lindh SSC, Max Ockborn, Samaneh ReyhaniElias Ahmadi, Eva Bergendahl, Ove Andersson, Kerstin Andersson, Wolf Geppert, Lars-Erik Edlund, Mårten Sjöström , Ricklundgården i Saxnäs, Svenska Kyrkan Obbola , Kulturbryggan

MUSIC VIDEOSFor Shida Shahabi’s album Homes released on 130701.
ABISME
This Tendora sinensis was filmed in Ishinomaki, Japan. It's Japanese name is Okamakiri mushi, Kamakiri is the cutting action a scythe makes. It gets its English name, Praying mantis, from the way it stands front legs folded as if in prayer for hours at ends. 

It is a sit-and-wait predator. When it spies its victim, a grasshopper or a cricket, it lashes out its front legs and impales the prey on sharp spines. 
Mantids are a type of insects in which sex is dangerous, meaning the female might eat the male before sex. In about ten percent of the cases, the female mantid attacks the courting male as he approaches her, bites his head off and then devours his body. 
DoP Karolina Pajak
PRETTY IN PLUMS

PETULA

This dragonfly was filmed on Janunary 13th 2017 in Pondicherry India, where they were emerging from a water tank in hundreds every night. 
It lived most of its life as a nymph under water. Years could have gone by before it stuck its head out of the water and went through the metamorphisis that transforms a water dragon to it's aerial form.   It's anal gills have until now functioned for underwater breathing, jet propulsion and hydraulic-powered hunting. 
As it expands the body starts to breathe air, its 30,000 lensed eyes begin to develop an opaque quality, pigment begins to saturate the body and eyes, they slowly become glossy, strong and transparent. As it takes off, in milliseconds of flickering flight, to complete the last part of its life cycle where it reproduces and hatches. 
Production through collaboration with Umeed Mistry and Tasneem Khan, Earth Colab, Artlab Gnesta and the Swedish Institiute through Swamp Storytelling
DAWNING AND WIND

This dragonfly was filmed in Ishinomaki Japan, a few years and months after a tsunami struck and washed away most of the land several kilometers inland. 
Dragonflies are known for being first to disappear if there is a polution in the water and the first to come back after disasters. 
DoP Karolina Pajak
Some press:
On 4:3 boilerroom
HYMN


BIRTH CANAL&#38;nbsp;Koki Nakano 2019



APPLIED THEORIES OF EXPANDING MINDS
&#60;img width="700" height="509" width_o="700" height_o="509" data-src="https://freight.cargo.site/t/original/i/f28a46b8443beb2ed70daa1c64046abaf7be845569f34fc59e1a6431a03a928a/ATOEM_vernokortfinal.jpg" data-mid="199667331" border="0"  src="https://freight.cargo.site/w/700/i/f28a46b8443beb2ed70daa1c64046abaf7be845569f34fc59e1a6431a03a928a/ATOEM_vernokortfinal.jpg" /&#62;Film and installation.&#38;nbsp;

In a transforming Kenya, a group of people has created a new tribe. Applied Theories of Expanding Minds shows some of them engaged in ritual actions with the purpose to change their community.

&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/ae38755000aa666d4bd97711bcb00b579266602d92a18c7b90fc4ca8936d0ce1/ATOEM_installation_westspace2_o.JPG" data-mid="199667332" border="0"  src="https://freight.cargo.site/w/1000/i/ae38755000aa666d4bd97711bcb00b579266602d92a18c7b90fc4ca8936d0ce1/ATOEM_installation_westspace2_o.JPG" /&#62;
&#60;img width="1588" height="886" width_o="1588" height_o="886" data-src="https://freight.cargo.site/t/original/i/cadb8d7c4580ac1a6453ba003760961e6e3d530af1dc94b765c9ce09f727c260/Screen-Shot-2019-01-24-at-11.32.36.png" data-mid="199667329" border="0"  src="https://freight.cargo.site/w/1000/i/cadb8d7c4580ac1a6453ba003760961e6e3d530af1dc94b765c9ce09f727c260/Screen-Shot-2019-01-24-at-11.32.36.png" /&#62;&#60;img width="5000" height="2813" width_o="5000" height_o="2813" data-src="https://freight.cargo.site/t/original/i/ada701d219d8019bb3fc690e464ac348da1bf01b16f991b4e80e081755b1c2c7/14-.Applied-Theories-of-expanded-mindes_Decoder_o.jpg" data-mid="199667337" border="0"  src="https://freight.cargo.site/w/1000/i/ada701d219d8019bb3fc690e464ac348da1bf01b16f991b4e80e081755b1c2c7/14-.Applied-Theories-of-expanded-mindes_Decoder_o.jpg" /&#62;&#60;img width="5000" height="2813" width_o="5000" height_o="2813" data-src="https://freight.cargo.site/t/original/i/072a17606e4bf7680e3116fa2fd84a0f7cb45fa89f21bd1e27f51f484221b492/5.Applied-Theories-of-expanded-mindes_Moi-Stadium_o.jpg" data-mid="199667334" border="0"  src="https://freight.cargo.site/w/1000/i/072a17606e4bf7680e3116fa2fd84a0f7cb45fa89f21bd1e27f51f484221b492/5.Applied-Theories-of-expanded-mindes_Moi-Stadium_o.jpg" /&#62;&#60;img width="5000" height="2813" width_o="5000" height_o="2813" data-src="https://freight.cargo.site/t/original/i/69121cc810e30c694761784ad19e931ced541d7e76df4906b6648b90a2077c2f/14.-Applied-Theoreis-of-Expanding-Mindes_Mr-Cheng-JR_o.jpg" data-mid="199667333" border="0"  src="https://freight.cargo.site/w/1000/i/69121cc810e30c694761784ad19e931ced541d7e76df4906b6648b90a2077c2f/14.-Applied-Theoreis-of-Expanding-Mindes_Mr-Cheng-JR_o.jpg" /&#62;HDV, colour, soundversion 1. Multi channel video installation, eight projectionsversion 2. Short film 29 minutes
By Jennifer Rainsford, Lena Bergendahl and Rut Karin Zettergren
&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/0ce9d3530aaf106f9c37002a14023903e363b91be23c964338fdcc950faab9bc/applied_theories_of_expanding_minds8_o.jpg" data-mid="199667330" border="0"  src="https://freight.cargo.site/w/1000/i/0ce9d3530aaf106f9c37002a14023903e363b91be23c964338fdcc950faab9bc/applied_theories_of_expanding_minds8_o.jpg" /&#62;&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/ae38755000aa666d4bd97711bcb00b579266602d92a18c7b90fc4ca8936d0ce1/ATOEM_installation_westspace2_o.JPG" data-mid="199667332" border="0"  src="https://freight.cargo.site/w/1000/i/ae38755000aa666d4bd97711bcb00b579266602d92a18c7b90fc4ca8936d0ce1/ATOEM_installation_westspace2_o.JPG" /&#62;&#60;img width="567" height="378" width_o="567" height_o="378" data-src="https://freight.cargo.site/t/original/i/9624d4b7a1d6af7b9bb786c4b7d0873a4c44e10ab01ad1bdb6fe94a2485f18a1/ATOEM_installation_uganda1.jpg" data-mid="199667328" border="0"  src="https://freight.cargo.site/w/567/i/9624d4b7a1d6af7b9bb786c4b7d0873a4c44e10ab01ad1bdb6fe94a2485f18a1/ATOEM_installation_uganda1.jpg" /&#62;&#60;img width="700" height="509" width_o="700" height_o="509" data-src="https://freight.cargo.site/t/original/i/f28a46b8443beb2ed70daa1c64046abaf7be845569f34fc59e1a6431a03a928a/ATOEM_vernokortfinal.jpg" data-mid="199667331" border="0"  src="https://freight.cargo.site/w/700/i/f28a46b8443beb2ed70daa1c64046abaf7be845569f34fc59e1a6431a03a928a/ATOEM_vernokortfinal.jpg" /&#62;&#60;img width="1588" height="886" width_o="1588" height_o="886" data-src="https://freight.cargo.site/t/original/i/cadb8d7c4580ac1a6453ba003760961e6e3d530af1dc94b765c9ce09f727c260/Screen-Shot-2019-01-24-at-11.32.36.png" data-mid="199667329" border="0"  src="https://freight.cargo.site/w/1000/i/cadb8d7c4580ac1a6453ba003760961e6e3d530af1dc94b765c9ce09f727c260/Screen-Shot-2019-01-24-at-11.32.36.png" /&#62; 

	MAPPING THE ARTCIC OCEAN&#60;img width="11811" height="11811" width_o="11811" height_o="11811" data-src="https://freight.cargo.site/t/original/i/bcf3aee49da4aa80818697eee0e125c0c485fc3eba84281efcac424ff474f529/POLARMAP.png" data-mid="242074406" border="0"  src="https://freight.cargo.site/w/1000/i/bcf3aee49da4aa80818697eee0e125c0c485fc3eba84281efcac424ff474f529/POLARMAP.png" /&#62;&#60;img width="2254" height="1528" width_o="2254" height_o="1528" data-src="https://freight.cargo.site/t/original/i/6c4f3a6758f97cbd7ed1a2a7ed0d82c6311e800d8eb441cf4f91ab13de1e0a82/Skarmavbild-2025-12-22-kl.-16.32.50.png" data-mid="242074641" border="0"  src="https://freight.cargo.site/w/1000/i/6c4f3a6758f97cbd7ed1a2a7ed0d82c6311e800d8eb441cf4f91ab13de1e0a82/Skarmavbild-2025-12-22-kl.-16.32.50.png" /&#62;
Map over the Arctic Ocean overlaying the different linguistic regions, bird migration, existing and planned shipping routes, planned and existing oil, gas and mining extraction sites, the ice cover 1970-2100.





IMAGINING THE INSIDE OF THE EARTH&#38;nbsp;&#60;img width="1073" height="1609" width_o="1073" height_o="1609" data-src="https://freight.cargo.site/t/original/i/3666937f4cf4e4c8b90f4161a0dded337db86e642b18eb3d880ff117fa1e20ed/_MG_1059korr_fmt.jpeg" data-mid="199655140" border="0"  src="https://freight.cargo.site/w/1000/i/3666937f4cf4e4c8b90f4161a0dded337db86e642b18eb3d880ff117fa1e20ed/_MG_1059korr_fmt.jpeg" /&#62;&#60;img width="1164" height="1316" width_o="1164" height_o="1316" data-src="https://freight.cargo.site/t/original/i/57d5a23857178b240aef8e56b90640bc56dcd57cf05e702c59a0261c589821e6/Skarmavbild-2024-05-29-kl.-13.05.44.png" data-mid="211917702" border="0"  src="https://freight.cargo.site/w/1000/i/57d5a23857178b240aef8e56b90640bc56dcd57cf05e702c59a0261c589821e6/Skarmavbild-2024-05-29-kl.-13.05.44.png" /&#62;Sculpture showing imagined inside of the EarthBronze2x4 cm
Descending 3000 km under our feet, the Earth’s mantle is a semi-solid fluid under a thin outer crust. The highly viscous layers vary with temperature, pressure and depth, the pocket of liquid lava that surfaces at volcanoes. 
Imagined inside of the Earth is a sculpture made after studying theories, models and data of how the inside of the Earth might look like. The piece is sculpted and modelled from my imagination of the possible shape of what the parts of the Earth that is closest to the volcanic hotspots. 

The models are modelled virtually, printed in 3d and then remodelled in the computer, in a process going back and forth between digital and real.

FROM THE HILL OVERLOOKING THE SEA, A LOVE LETTER TO YOU! 
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/d530cd86825834778c7c345028fd756bc5f01138c94500c0da17e181be4e0e4f/28BDAEBF-8CBD-44A5-8E03-33029C916028.JPG" data-mid="200357965" border="0"  src="https://freight.cargo.site/w/1000/i/d530cd86825834778c7c345028fd756bc5f01138c94500c0da17e181be4e0e4f/28BDAEBF-8CBD-44A5-8E03-33029C916028.JPG" /&#62;
Sachiko and Migaku Kumagai lived a simple life together. Their house was situated on a hill overlooking the sea in northeastern Japan. Migaku had just retired, and they were looking forward to growing old together when the earthquake and the subsequent tsunami shook Japan in 2011. Migaku disappeared in the wave, and as part of her grieving process, Sachiko began writing letters to her husband.

Sachiko Kumagai's letters were originally published in Japanese by Hitoshi Tsurizaki as three books containing around 300 poems from 2014 to 2018. This book is a selection of the poems translated into English, interpreted, and chosen by Jennifer Rainsford with the permission of Sachiko Kumagai's son.

The publication is made in collaboration with Jennifer Rainsford. Translation and printing are supported by Längmanska Kulturfonden, Sweden Japan Foundation, and Scandinavia-Japan Sasakawa Foundation.

58 pages. Printed in 200 copies by Bulls Graphic, Halmstad 2022.

Price: 100 SEK + postage 52 SEK. Order by emailing diskretforlag@gmail.com. Payment via Swish (1235101522) or Paypal (diskretforlag@gmail.com).

All proceeds from the sales go to the Hatachi Fund, a foundation that helps children in the Rizuentaktata area who have lost parents in the tsunami.

&#60;img width="3024" height="2463" width_o="3024" height_o="2463" data-src="https://freight.cargo.site/t/original/i/b1a6d2c5124f5f62c71df26d9ffe614fe316fffbe4198cfcab3ce5176e5508c7/B08017E9-FD0D-40EE-AD3F-601310F01F1A.JPG" data-mid="200357817" border="0"  src="https://freight.cargo.site/w/1000/i/b1a6d2c5124f5f62c71df26d9ffe614fe316fffbe4198cfcab3ce5176e5508c7/B08017E9-FD0D-40EE-AD3F-601310F01F1A.JPG" /&#62;

&#60;img width="2926" height="2221" width_o="2926" height_o="2221" data-src="https://freight.cargo.site/t/original/i/58832ea0133ab6a81b69390f345fbea82f2883c019337ede92c9c9d675ea1a93/9D360051-3F5A-4CB3-B2DE-BBF0557CCE04.JPG" data-mid="200357784" border="0"  src="https://freight.cargo.site/w/1000/i/58832ea0133ab6a81b69390f345fbea82f2883c019337ede92c9c9d675ea1a93/9D360051-3F5A-4CB3-B2DE-BBF0557CCE04.JPG" /&#62;
A.D.Photo series Shells picked on shores of disasters.

&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/a00f45657b8da05a16b0f951db07e2c629729b5e8ba3c7794fc49b8ca9881181/_MG_0998_o.jpg" data-mid="199656517" border="0"  src="https://freight.cargo.site/w/1000/i/a00f45657b8da05a16b0f951db07e2c629729b5e8ba3c7794fc49b8ca9881181/_MG_0998_o.jpg" /&#62;&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/b893426ecb0011aef3c8584a705f0b1d16a099d3bd7064f7c7e804da81c599b6/_MG_0977_o.jpg" data-mid="199656516" border="0"  src="https://freight.cargo.site/w/1000/i/b893426ecb0011aef3c8584a705f0b1d16a099d3bd7064f7c7e804da81c599b6/_MG_0977_o.jpg" /&#62;&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/31a5fefa24703e718634213c01db97385ebb62609dfbf1ddcc60eff394943b5e/_MG_0963_o.jpg" data-mid="199656515" border="0"  src="https://freight.cargo.site/w/1000/i/31a5fefa24703e718634213c01db97385ebb62609dfbf1ddcc60eff394943b5e/_MG_0963_o.jpg" /&#62;

MIRACULOUS ENDINGS&#60;img width="1250" height="1667" width_o="1250" height_o="1667" data-src="https://freight.cargo.site/t/original/i/30a02345edabce42380c2d7b512bee8e9bc4ee70ef46067d601e0fc9e18bb250/5_Cataclysmic-change-Miraculous-Endings-2.jpg" data-mid="199656555" border="0"  src="https://freight.cargo.site/w/1000/i/30a02345edabce42380c2d7b512bee8e9bc4ee70ef46067d601e0fc9e18bb250/5_Cataclysmic-change-Miraculous-Endings-2.jpg" /&#62;&#60;img width="2592" height="1728" width_o="2592" height_o="1728" data-src="https://freight.cargo.site/t/original/i/5e324eb52924e7e8f47e730720c95cb3b190cee510647fd435cd046ba07b891d/_MG_8824.JPG" data-mid="199656545" border="0"  src="https://freight.cargo.site/w/1000/i/5e324eb52924e7e8f47e730720c95cb3b190cee510647fd435cd046ba07b891d/_MG_8824.JPG" /&#62;&#60;img width="1250" height="1667" width_o="1250" height_o="1667" data-src="https://freight.cargo.site/t/original/i/96736928777b863299b5f866057c4d095980fbba2338d089aca531b11b583854/5_Cataclysmic-change-Miraculous-Endings-4.jpg" data-mid="199656553" border="0"  src="https://freight.cargo.site/w/1000/i/96736928777b863299b5f866057c4d095980fbba2338d089aca531b11b583854/5_Cataclysmic-change-Miraculous-Endings-4.jpg" /&#62;&#60;img width="5000" height="3166" width_o="5000" height_o="3166" data-src="https://freight.cargo.site/t/original/i/988719aada715f5008e4fe0082a7a61ad3fb5f6675b77297fa11d0325fc7b6e8/pier_o.jpg" data-mid="199656554" border="0"  src="https://freight.cargo.site/w/1000/i/988719aada715f5008e4fe0082a7a61ad3fb5f6675b77297fa11d0325fc7b6e8/pier_o.jpg" /&#62;&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/4aaeb7b167b85610d1f012a6b71f3969b177551d7e5377c4a8e24db194b3795e/stick1_o.jpg" data-mid="199656549" border="0"  src="https://freight.cargo.site/w/1000/i/4aaeb7b167b85610d1f012a6b71f3969b177551d7e5377c4a8e24db194b3795e/stick1_o.jpg" /&#62;&#60;img width="2592" height="1728" width_o="2592" height_o="1728" data-src="https://freight.cargo.site/t/original/i/5e09331629f96307324c41624ee6e4325e0b1e67f9395b585de58efae7def858/waimea.jpg" data-mid="199656551" border="0"  src="https://freight.cargo.site/w/1000/i/5e09331629f96307324c41624ee6e4325e0b1e67f9395b585de58efae7def858/waimea.jpg" /&#62;&#60;img width="1250" height="1667" width_o="1250" height_o="1667" data-src="https://freight.cargo.site/t/original/i/dcb8bdcca6ff5f6a0d42e848551dfcff50dd1171995f90757497d5394b9ac2e2/5_Cataclysmic-change-Miraculous-Endings-3.jpg" data-mid="199656550" border="0"  src="https://freight.cargo.site/w/1000/i/dcb8bdcca6ff5f6a0d42e848551dfcff50dd1171995f90757497d5394b9ac2e2/5_Cataclysmic-change-Miraculous-Endings-3.jpg" /&#62;&#60;img width="2592" height="1728" width_o="2592" height_o="1728" data-src="https://freight.cargo.site/t/original/i/ab46652851a5e1f8970d8443f5c6073ffbd4b65b1af1c7716691288101fd8b0d/goat.jpg" data-mid="199656544" border="0"  src="https://freight.cargo.site/w/1000/i/ab46652851a5e1f8970d8443f5c6073ffbd4b65b1af1c7716691288101fd8b0d/goat.jpg" /&#62;"In the immense history of Earth, on many continents, over billion of years, through extintions caused by asteroids, sea level change, and volcanic eruption, there seem to be rules about what happens to living things during cataclysms.” 
Taking it’s departure in a text by paleontologist Neil Shubin about large scale extintions in nature, the series of photos are from places in the world after large scale economic, geographic or geological changes have taken place. Though, instead of looking at the devastation and change in landscape it looks only at what survived or that started to live just after. 
The photographs are from the Tohoku coast three years after the 2011 earthquake and tsunami. The end of the world, on Big Island, Hawaii, the part of the island where the Kiaulea volcano has erupted and created a lava field where only goats live. And the area where I grew up in Haninge, where a highway passes through the rural area that once was agricultural landscape, now part of trade routes for traffic in the Baltic sea. 
When presented the photos are put over a light source, either on wall or on stands making it part sculpture, part photograph. 
Installation view
&#60;img width="3895" height="2116" width_o="3895" height_o="2116" data-src="https://freight.cargo.site/t/original/i/096a6320281c4cd7e44f045add83e6ab46408cf5ee36f7ef0662940f46bf04da/close-photo.jpeg" data-mid="199656542" border="0"  src="https://freight.cargo.site/w/1000/i/096a6320281c4cd7e44f045add83e6ab46408cf5ee36f7ef0662940f46bf04da/close-photo.jpeg" /&#62;&#60;img width="2767" height="2030" width_o="2767" height_o="2030" data-src="https://freight.cargo.site/t/original/i/7ba831752125daadff3724f0430d32e9684931ed774ddb13531230ca98405999/8.jpg" data-mid="199656543" border="0"  src="https://freight.cargo.site/w/1000/i/7ba831752125daadff3724f0430d32e9684931ed774ddb13531230ca98405999/8.jpg" /&#62; 


GHOST NETS&#38;nbsp;&#60;img width="2878" height="1596" width_o="2878" height_o="1596" data-src="https://freight.cargo.site/t/original/i/848a66ebac11cebcfb14300f9301ed501bf106985a62da4181f4928d83dd958c/Screen-Shot-2019-01-05-at-12.30.52.png" data-mid="199655948" border="0"  src="https://freight.cargo.site/w/1000/i/848a66ebac11cebcfb14300f9301ed501bf106985a62da4181f4928d83dd958c/Screen-Shot-2019-01-05-at-12.30.52.png" /&#62;&#60;img width="2880" height="1612" width_o="2880" height_o="1612" data-src="https://freight.cargo.site/t/original/i/b348712c2b7df3fc309c60f18409ebdb4c132bbe78188e16dd7e4cb4899ab1dd/Screen-Shot-2019-01-05-at-12.30.32.png" data-mid="199655949" border="0"  src="https://freight.cargo.site/w/1000/i/b348712c2b7df3fc309c60f18409ebdb4c132bbe78188e16dd7e4cb4899ab1dd/Screen-Shot-2019-01-05-at-12.30.32.png" /&#62;&#60;img width="2880" height="1602" width_o="2880" height_o="1602" data-src="https://freight.cargo.site/t/original/i/cd10997f8336305b771e418be443faf37798aea1484a903c1ff93b08323e288f/Screen-Shot-2019-01-05-at-12.30.10.png" data-mid="199655947" border="0"  src="https://freight.cargo.site/w/1000/i/cd10997f8336305b771e418be443faf37798aea1484a903c1ff93b08323e288f/Screen-Shot-2019-01-05-at-12.30.10.png" /&#62;&#60;img width="2868" height="1624" width_o="2868" height_o="1624" data-src="https://freight.cargo.site/t/original/i/8348502a5436fba1f4b4e747586046322d30c084a4fb9f1223c9da198b3dedbf/Screen-Shot-2019-01-05-at-12.29.58.png" data-mid="199655945" border="0"  src="https://freight.cargo.site/w/1000/i/8348502a5436fba1f4b4e747586046322d30c084a4fb9f1223c9da198b3dedbf/Screen-Shot-2019-01-05-at-12.29.58.png" /&#62;Still images from video

On a remote beach in Kauai, one of the Hawaiian islands where Jurassic Park was filmed, a group of volunteers from the Surfrider Foundation Kauai is clearing ghost nets from sharp cliffs. Every year, tons of marine debris land on the beaches of any of the seven Hawaiian islands located just south of the Great Pacific Garbage Patch.

The Great Pacific Garbage Patch is an expanse of pelagic waste, drifting plastic fragments, chemical sludge, and other debris captured by the currents in the northern subtropical gyre of the Pacific Ocean, 135°-155° W and 35°-42° N.

Ghost nets are a collection of fishing nets, mooring lines, and nylon ropes that have been lost overboard from ships in the Pacific Ocean and float in the sea in long tangles. In water, they can entangle fish, birds, and other organisms, starving or suffocating them to death. Older nets are biodegradable, but nylon and other synthetic materials can drift in the ocean for several years, causing significant harm.

Beach cleaners volunteer to clear marine debris so that it doesn't go back into the ocean. Every time a net lands on a beach, they go there to collectively remove it to prevent it from going back into the sea. They cut up the several-ton heavy ghost nets with serrated kitchen knives and drag them to their four-wheel-drive pickups to transport them through the inaccessible terrain to a landfill. Sometimes, the nets are recycled by multinational companies that create clothing from the plastic.&#38;nbsp;
Video HD 3min loop Foto: Iga Mikler, FSF

&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/1a7f802a614d268d8c78f84539ddc331e895927ae94a434e782a9a95b0994e7e/Copy-of-IMG_0389.jpg" data-mid="199655946" border="0"  src="https://freight.cargo.site/w/1000/i/1a7f802a614d268d8c78f84539ddc331e895927ae94a434e782a9a95b0994e7e/Copy-of-IMG_0389.jpg" /&#62;&#38;nbsp;Shown as part og&#38;nbsp;Jens Evaldssons public art work&#38;nbsp;Askim Escape Pod



	MACRO FLOWERS&#60;img width="5184" height="3456" width_o="5184" height_o="3456" data-src="https://freight.cargo.site/t/original/i/aef12d3874a09e146e811669d02649fddd493f226dc2cdf6521da1f36081e141/blomma.jpg" data-mid="242074624" border="0"  src="https://freight.cargo.site/w/1000/i/aef12d3874a09e146e811669d02649fddd493f226dc2cdf6521da1f36081e141/blomma.jpg" /&#62;
NEW BORN LAND&#60;img width="3456" height="5184" width_o="3456" height_o="5184" data-src="https://freight.cargo.site/t/original/i/0f1e66d64d45f50114a5200a8a9eed22df1bfe95c06db2949b2c7d6aa10396c9/hawaii3.jpg" data-mid="199655155" border="0"  src="https://freight.cargo.site/w/1000/i/0f1e66d64d45f50114a5200a8a9eed22df1bfe95c06db2949b2c7d6aa10396c9/hawaii3.jpg" /&#62;&#60;img width="890" height="1318" width_o="890" height_o="1318" data-src="https://freight.cargo.site/t/original/i/2f6254a0d5af47c4d39a82867e34835d4b5683dac953285ef9bcda1b09282eea/Skarmavbild-2024-05-29-kl.-13.06.03.png" data-mid="211917619" border="0"  src="https://freight.cargo.site/w/890/i/2f6254a0d5af47c4d39a82867e34835d4b5683dac953285ef9bcda1b09282eea/Skarmavbild-2024-05-29-kl.-13.06.03.png" /&#62;&#60;img width="1114" height="484" width_o="1114" height_o="484" data-src="https://freight.cargo.site/t/original/i/cd993221ea65db2f7685231799e09b2e36983f9ab39b77aaea3147e146078516/Skarmavbild-2024-05-29-kl.-13.05.58.png" data-mid="211917696" border="0"  src="https://freight.cargo.site/w/1000/i/cd993221ea65db2f7685231799e09b2e36983f9ab39b77aaea3147e146078516/Skarmavbild-2024-05-29-kl.-13.05.58.png" /&#62;&#38;nbsp;&#60;img width="1118" height="918" width_o="1118" height_o="918" data-src="https://freight.cargo.site/t/original/i/8058effcbee5a8918255676e703daf6ca383f06be92578f936881e9e17f0a5a7/Skarmavbild-2024-05-29-kl.-13.05.54.png" data-mid="211917698" border="0"  src="https://freight.cargo.site/w/1000/i/8058effcbee5a8918255676e703daf6ca383f06be92578f936881e9e17f0a5a7/Skarmavbild-2024-05-29-kl.-13.05.54.png" /&#62;&#60;img width="1250" height="774" width_o="1250" height_o="774" data-src="https://freight.cargo.site/t/original/i/05acdce4a9e77dfef52c4f1d66538fc4a3bcc871dfd57af28c57980d503bad84/er7.jpg" data-mid="199655158" border="0"  src="https://freight.cargo.site/w/1000/i/05acdce4a9e77dfef52c4f1d66538fc4a3bcc871dfd57af28c57980d503bad84/er7.jpg" /&#62;
Sculptures of volcanic land. Sculpted from data from USGC GIS University of Hawaii.


LOOKING THROUGH WATER
Workshop and projection of laser through polluted water. Done in collaboration with the Janastu farm in Karnataka, Sadhana village school.

&#60;img width="5000" height="3332" width_o="5000" height_o="3332" data-src="https://freight.cargo.site/t/original/i/0987b7ad5e6d76b92070b37d0698e5f526a7133153bac070c43d83597fa19c06/_MG_4040_o.jpg" data-mid="199656344" border="0"  src="https://freight.cargo.site/w/1000/i/0987b7ad5e6d76b92070b37d0698e5f526a7133153bac070c43d83597fa19c06/_MG_4040_o.jpg" /&#62;&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/4697fce2a7a3b7339dcb742e7802c850a05ce62ba52eef062e1b6830a8a41a9e/_MG_4041_o.jpg" data-mid="199656346" border="0"  src="https://freight.cargo.site/w/1000/i/4697fce2a7a3b7339dcb742e7802c850a05ce62ba52eef062e1b6830a8a41a9e/_MG_4041_o.jpg" /&#62;&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/fb55c1430f898e635e712e51a995ae57088dd9f71b0f388752401b16eb8eda69/_MG_4055_o.jpg" data-mid="199656343" border="0"  src="https://freight.cargo.site/w/1000/i/fb55c1430f898e635e712e51a995ae57088dd9f71b0f388752401b16eb8eda69/_MG_4055_o.jpg" /&#62;&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/f76cf90f7adb4312cd42c46977739ae7845ca3f199f7f61ab397b0d40a8a1b99/_MG_4063_o.jpg" data-mid="199656345" border="0"  src="https://freight.cargo.site/w/1000/i/f76cf90f7adb4312cd42c46977739ae7845ca3f199f7f61ab397b0d40a8a1b99/_MG_4063_o.jpg" /&#62;
"Re-cognition. Every living being posses existential biological knowledge, the knowledge of nature, the ability to sustain life. Every organism is born with it. 
The human organism differs from other organisms insofar as it has codified it's complex language system into text.re-cognition.org and sadhanavillageschool.org"

https://janastu.org/


EPOCSORCIM
 View from inside a drop of water in a microscope. 
Best watched with VR headset, but you can also scroll in the video
360 degree video in collaboration with Shreyasi Khan Project springing from Swamp Storytelling, in collaboration with Earth Colab and Artlab Gnesta. 
Watch whole channel on Youtube 

TALKING FLOWERS 

Live-cinema performance at 1shantiroad in Bangalore 
The work departures from the fires on the lake of Bellandur and explores it through a multi-scale perspective.
The live cinema event tells the story about the past, present and future of the lake and makes connections between the ingredients and story of soap; how the world is changing one programmer at a time; the bug that lives where the fire used to roar and the origin of the Nobel prize in Economy.

&#60;img width="2048" height="1367" width_o="2048" height_o="1367" data-src="https://freight.cargo.site/t/original/i/c5cebe8bda02b06c484fe41187db5e70e4bb8041788c850622027918a1fc8ed7/lecture2.jpg" data-mid="199656391" border="0"  src="https://freight.cargo.site/w/1000/i/c5cebe8bda02b06c484fe41187db5e70e4bb8041788c850622027918a1fc8ed7/lecture2.jpg" /&#62;&#60;img width="2048" height="1367" width_o="2048" height_o="1367" data-src="https://freight.cargo.site/t/original/i/f4eb6b9a66352e01ce0ab15255539eceb7c7f321597d83471cab10b7fb8ed8a4/lecture4.jpg" data-mid="199656394" border="0"  src="https://freight.cargo.site/w/1000/i/f4eb6b9a66352e01ce0ab15255539eceb7c7f321597d83471cab10b7fb8ed8a4/lecture4.jpg" /&#62;Photo documentation by Sandeep TK 1shantiroad

&#60;img width="3772" height="3312" width_o="3772" height_o="3312" data-src="https://freight.cargo.site/t/original/i/9584ad77f570bcfdcf7ae6a7930fb489a6d4f59bbe28d4928ac64e9b64eb4b6c/_MG_3855.jpg" data-mid="199656393" border="0"  src="https://freight.cargo.site/w/1000/i/9584ad77f570bcfdcf7ae6a7930fb489a6d4f59bbe28d4928ac64e9b64eb4b6c/_MG_3855.jpg" /&#62;&#60;img width="3269" height="3483" width_o="3269" height_o="3483" data-src="https://freight.cargo.site/t/original/i/b8e4aaca3fb2245d08c25d6c816a2ab5a0b1e2064eae98241b9ac655550c5e2d/_MG_3276b.jpg" data-mid="199656395" border="0"  src="https://freight.cargo.site/w/1000/i/b8e4aaca3fb2245d08c25d6c816a2ab5a0b1e2064eae98241b9ac655550c5e2d/_MG_3276b.jpg" /&#62;&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/8596e0ffb670e012b4545e6cc5953101a4b8f795f9db0193a08c50e39944c8be/_MG_3544b_o.jpg" data-mid="199656392" border="0"  src="https://freight.cargo.site/w/1000/i/8596e0ffb670e012b4545e6cc5953101a4b8f795f9db0193a08c50e39944c8be/_MG_3544b_o.jpg" /&#62;Photos from macro series

CATACLYSMIC CHANGE&#60;img width="2134" height="1438" width_o="2134" height_o="1438" data-src="https://freight.cargo.site/t/original/i/00d64bfdb0a500533acc77274436f1d58238939049a4aa92e52bd1d39d2d5b6f/IK_KN3.jpg" data-mid="199656643" border="0"  src="https://freight.cargo.site/w/1000/i/00d64bfdb0a500533acc77274436f1d58238939049a4aa92e52bd1d39d2d5b6f/IK_KN3.jpg" /&#62;Originating from a scene in a documentary I am filming; Debris, that is about how tsunami damaged photos are restored and brought back to their owners. I imitate the process of the destruction of a photograph from saltwater from a tsunami- investigating the number of days it takes for the photo to resolve in water, how it comes off, the mechanical scratches from the dirt and the other photos. In the work, I am interested in how one can move an action of nature to another context. Imitating the process from a disaster. The erased images, liquid that is left of the surface coming off tells a story of when nature and civilzation has collided, though leaving the human memories and stories out. Retelling just the process of the collision. 

&#60;img width="3431" height="2287" width_o="3431" height_o="2287" data-src="https://freight.cargo.site/t/original/i/1ab56108da721f9071c8be585696a8bc77ab89c0fce23e148c698fe3f971b7a8/7.jpg" data-mid="199656642" border="0"  src="https://freight.cargo.site/w/1000/i/1ab56108da721f9071c8be585696a8bc77ab89c0fce23e148c698fe3f971b7a8/7.jpg" /&#62;&#60;img width="2388" height="1392" width_o="2388" height_o="1392" data-src="https://freight.cargo.site/t/original/i/f097d552d99e69585c7fd230b352938434f1b1f366d32817df31a6f00e90e2a9/cataclysmic_change_photo.jpg" data-mid="199656644" border="0"  src="https://freight.cargo.site/w/1000/i/f097d552d99e69585c7fd230b352938434f1b1f366d32817df31a6f00e90e2a9/cataclysmic_change_photo.jpg" /&#62;
&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/f33f9f899c1f02de4bc5153ce479359bc31492d056a1d06aac4ef4b013bf9138/cataclysmic_change_blue_water_o.jpg" data-mid="199656646" border="0"  src="https://freight.cargo.site/w/1000/i/f33f9f899c1f02de4bc5153ce479359bc31492d056a1d06aac4ef4b013bf9138/cataclysmic_change_blue_water_o.jpg" /&#62;Water from the washed away colors and salt. 

&#60;img width="5000" height="2942" width_o="5000" height_o="2942" data-src="https://freight.cargo.site/t/original/i/175db00659b4f97fab08395c7ec5612fbceb505f86e9797994324424aaba4b04/cataclysms_paper_o.jpg" data-mid="199656645" border="0"  src="https://freight.cargo.site/w/1000/i/175db00659b4f97fab08395c7ec5612fbceb505f86e9797994324424aaba4b04/cataclysms_paper_o.jpg" /&#62;Paper tinted with same ink.





MVUA FARASIMvua Farasi (Rain Horse) takes place on a Kenyan race course in the outskirts of Nairobi.HD video, 17,45'
Made in the collective Crystal Beacon, Jennifer Rainsford, Lena Bergendahl and Rut Karin Zettergren
&#60;img width="1972" height="1105" width_o="1972" height_o="1105" data-src="https://freight.cargo.site/t/original/i/2f8f3ef53004ccee278f2811729fc5b534a5442c22745dd5b8eb1d030c1b594a/MVUA-FARASI_cover_opt.jpeg" data-mid="199666408" border="0"  src="https://freight.cargo.site/w/1000/i/2f8f3ef53004ccee278f2811729fc5b534a5442c22745dd5b8eb1d030c1b594a/MVUA-FARASI_cover_opt.jpeg" /&#62;&#60;img width="2695" height="1598" width_o="2695" height_o="1598" data-src="https://freight.cargo.site/t/original/i/0d681ea084d6af18b6d17e02621813b6aca98dee35436938c80b466674f392b9/MVUA-FARASI_fradgahas_opt.jpeg" data-mid="199666406" border="0"  src="https://freight.cargo.site/w/1000/i/0d681ea084d6af18b6d17e02621813b6aca98dee35436938c80b466674f392b9/MVUA-FARASI_fradgahas_opt.jpeg" /&#62;
&#60;img width="2740" height="1494" width_o="2740" height_o="1494" data-src="https://freight.cargo.site/t/original/i/9eb8ceb41c193dc22f769b488bff2942636def68fa6ce8e508cb76437042347c/MVUA-FARASI_watersplas_opt.jpeg" data-mid="199666407" border="0"  src="https://freight.cargo.site/w/1000/i/9eb8ceb41c193dc22f769b488bff2942636def68fa6ce8e508cb76437042347c/MVUA-FARASI_watersplas_opt.jpeg" /&#62;

BEHIND OTHER SCENESThe film observes life behind the scenes of a Kung fu tv-drama, set in the forests outside of Beijing. 
DOP: Iga Mikler Thanks to Yu Yan Kai With support from Konstnärsnämnden

&#60;img width="2880" height="1614" width_o="2880" height_o="1614" data-src="https://freight.cargo.site/t/original/i/53204fd978a777eb6c3f69debb40288b844ba7d79f77003eee5d0abab87eaba4/Behind-other-scenes-3.png" data-mid="199666454" border="0"  src="https://freight.cargo.site/w/1000/i/53204fd978a777eb6c3f69debb40288b844ba7d79f77003eee5d0abab87eaba4/Behind-other-scenes-3.png" /&#62;&#60;img width="2878" height="1614" width_o="2878" height_o="1614" data-src="https://freight.cargo.site/t/original/i/1e91c228648a466289bd545258c6cd62fed705fd8e6839a4f6912e31d5e342af/Behind-other-scenes-4.png" data-mid="199666455" border="0"  src="https://freight.cargo.site/w/1000/i/1e91c228648a466289bd545258c6cd62fed705fd8e6839a4f6912e31d5e342af/Behind-other-scenes-4.png" /&#62;



THE DANCERS OF THE SEVEN VEILS PERFORMS LEVITATIONInstallation and performing sculptures. 

&#60;img width="2382" height="3780" width_o="2382" height_o="3780" data-src="https://freight.cargo.site/t/original/i/488a6579990797e42992364cefedc047824f215978cf3f1bfa67cea2384f7cb1/1_tdotsv_hel.jpg" data-mid="199667139" border="0"  src="https://freight.cargo.site/w/1000/i/488a6579990797e42992364cefedc047824f215978cf3f1bfa67cea2384f7cb1/1_tdotsv_hel.jpg" /&#62;&#60;img width="3672" height="2592" width_o="3672" height_o="2592" data-src="https://freight.cargo.site/t/original/i/17c7f3c70595d9b594617609201bd1ec688515b72f6dd1db737f6a4b8d1a4310/9_tdotsv_detalj.jpg" data-mid="199667140" border="0"  src="https://freight.cargo.site/w/1000/i/17c7f3c70595d9b594617609201bd1ec688515b72f6dd1db737f6a4b8d1a4310/9_tdotsv_detalj.jpg" /&#62;&#60;img width="2506" height="3759" width_o="2506" height_o="3759" data-src="https://freight.cargo.site/t/original/i/24279b622752c3905003294b05acb8b5bfc10d95d6fd23523954f589745e1e91/TDOTSV_test_installation3.jpg" data-mid="199667141" border="0"  src="https://freight.cargo.site/w/1000/i/24279b622752c3905003294b05acb8b5bfc10d95d6fd23523954f589745e1e91/TDOTSV_test_installation3.jpg" /&#62;
Story 
&#60;img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/ca538b2278a3ef6be2687ec91e7075ade66521763b8b1470fd40e23abd7b3f65/TDOTSV16_exploring-the-life-of-page1.jpg" data-mid="199667143" border="0"  src="https://freight.cargo.site/w/1000/i/ca538b2278a3ef6be2687ec91e7075ade66521763b8b1470fd40e23abd7b3f65/TDOTSV16_exploring-the-life-of-page1.jpg" /&#62;&#60;img width="2480" height="3508" width_o="2480" height_o="3508" data-src="https://freight.cargo.site/t/original/i/073ebd02d55d42e122ce34c0e87fad3be88c21d2ba252e126994e71e692950f7/TDOTSV17_exploring-the-life-of-page2.jpg" data-mid="199667142" border="0"  src="https://freight.cargo.site/w/1000/i/073ebd02d55d42e122ce34c0e87fad3be88c21d2ba252e126994e71e692950f7/TDOTSV17_exploring-the-life-of-page2.jpg" /&#62;
OUR GLOBAL BEHAVIOUR IS PSYCHOPATHIC
&#60;img width="2395" height="1350" width_o="2395" height_o="1350" data-src="https://freight.cargo.site/t/original/i/814cbfb86b772e060ad459c20bb8789893da968b6604cc2bd1f2af1bed62fc52/20204.jpg" data-mid="199666486" border="0"  src="https://freight.cargo.site/w/1000/i/814cbfb86b772e060ad459c20bb8789893da968b6604cc2bd1f2af1bed62fc52/20204.jpg" /&#62;
&#60;img width="1390" height="875" width_o="1390" height_o="875" data-src="https://freight.cargo.site/t/original/i/59358fa274eb0c2e4a352a773b1736d49a0f2c57fa0c8c711986cd09ae708c92/IK_KN7.jpg" data-mid="199666485" border="0"  src="https://freight.cargo.site/w/1000/i/59358fa274eb0c2e4a352a773b1736d49a0f2c57fa0c8c711986cd09ae708c92/IK_KN7.jpg" /&#62;

Our Global Behaviour Is Psychopathic, one – channel screening version by Virlani Rupini &#38;amp; Jennifer Rainsford, 2010. Video 14 min HD.
O.G.B.I.P II [Our Global Behaviour Is Psychopathic II] two – channel video installation by Virlani Rupini &#38;amp; Jennifer Rainsford, 2012. Video 14 min HD.

The film takes place at sea, following an unpleasant sailing trip. The two directors, who also play two of the characters, experiment with how models of behaviours can be used within the persona, between individuals and nations. They compare personal processes to programmes and ideologies that on a macro-level are used between nations, like subordination and self-annihilation, and pursues the four characters on the sailing boat towards an utopian vision.
CREDITS
Program C: Aurelia Le HucheProgram B: Virlani RupiniProgram A: Jennifer Rainsford
Directing &#38;amp; Screenplay: Virlani Rupini, Jennifer RainsfordDirector of Photography: Iga MiklerFirst Assistant Camera: Marcus Harrling, Jonas IsfältAssistant director: Jesper NordahlSound mixer: Jonas Isfält, Calle HolckDubbing editor: Oscar AlvarezProduction assistant: Jonas Isfält, Calle HolckProduction assistant, boat: Johanna AhlgrenProduction assistant, catering: Sara Oförsagd HedbergWardrobe &#38;amp; Make-up: Farvash Razavi
With kind support by The Wanås Foundation, Royal Institute of Arts and Swedish Film Institute.
———————————————————-
BERLINALE // FORUM EXPANDED Exhibition 9.2.2012 – 19.2.2012, Opening hours: daily 11am – 20pm. Opening: 8.2.2012, 6 -9 pm.
Organized by Arsenal – Institute for Film and Video Art as part of the Berlinale.
Forum Expanded 2012 will once again be exploring new forms of artistic, cinematic and political expression. 37 works by artists, filmmakers, theorists and musicians from 20 different countries comprise the compact and focused programme, taking in exhibitions, film programmes, discussions and performances that place an emphasis on aesthetic explorations of the global and individual dimensions of current crises. The programme explores the extent to which the radical and avant-garde ideas of the past are still relevant today and seeks to redefine the role of contemporary cinema.
This year’s exhibition in Kunstsaele Berlin is entitled “Critique and Clinic”. Criticism of institutions nd clinical psychiatry in particular played a central role in the political discourse of the 1960s and 1970s, a movement which regarded psychological pathologies as a product of social conditions and the repressive structures of society. Luke Fowler’s film ALL DIVIDED SELVES, which explores the work of psychiatrist and guru of the anti-psychiatry movement RD Laing, forms the starting point for the “Critique and Clinic” exhibition. The works it comprises take an in-depth look at the current psychological dimensions of socio-political structures. By examining the relationship between mental states and global structures, the exhibition offers a diagnostic panorama of the “psychospheres” of a form of capitalism which has made life, subjectivity and the psyche into a central resource. Much like the rest of this year’s Forum Expanded programme, the exhibition also raises the question of art’s scope for taking action in both visual and narrative terms.
Artists: Heike Baranowsky (Germany), Duncan Campbell (Ireland), Luke Fowler (GB), Iram Ghufran (India), Virlani Rupini und Jennifer Rainsford (Sweden), Ken Jacobs (USA), Steffen Köhn und Paola Calvo (Germany), Eline McGeorge (Norway), The Otolith Group (GB), Florian Wüst (Germany)
Program
Barometer (i) von Heike Baranowski (Deutschland) Arbeit von Duncan Campbell (Irland) All Divided Selves von Luke Fowler (Großbritannien) There Is Something In The Air von Iram Ghufran (Indien) O.G.B.I.P [ Our Global Behaviour is Psychopathic II ] von Virlani Rupini und Jennifer Rainsford (Schweden) Seeking The Monkey King von Ken Jacobs (USA) A Tale Of Two Islands von Steffen Köhn und Paola Calvo(Deutschland) A World Of Our Own von Eline McGeorge (Großbritannien) Aanathema von The Otolith Group (Großbritannien/ Frankreich) Dienst An Der Notwendigkeit (Service To Necessity) von Florian Wüst (Deutschland)
https://www.arsenal-berlin.de/en/berlinale-forum/news/single/article/3180/170.html’
SALON POPULAIR Bülowstrasse 90 10783 Berlin



Arsenal - Institut für Film und Videokunst e.V.


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		<title>Contact and Links</title>
				
		<link>https://raij.cargo.site/Contact-and-Links</link>

		<pubDate>Thu, 25 May 2017 17:26:45 +0000</pubDate>

		<dc:creator>Jennifer Rainsford</dc:creator>

		<guid isPermaLink="true">https://raij.cargo.site/Contact-and-Links</guid>

		<description>Jennifer Rainsford
Enquiries:
rainsford.jennifer@pm.me

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                                                                          Photo Iga Mikler
LinksNordic Women in Film
 Films on Swedish Film Database
    
Stories From the Debris, film site
Momento Film website
      Distribution:Arsenal - Institut für Film und Videokunst e.V.
      Oberhausen International Kurzfilmtage (pdf)
      Filmform
     Other links:Tracks Arte
The artist collective Crystal Beacon's films: Crystal Beacon website

Instagram</description>
		
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